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Welcome to the Rainbow Machine, in all its synthetic glory! This one is for experimenters, adventurists, and noisemakers. Totally not for purists and/or tone hounds. There are no “natural sounds” that come from this box.

Long revered for its sweet singing tone and violin-like sustain, the classic three-knob Big Muff Pi has helped define the sound of rock guitar for over 40 years. Now, we\'ve added some extras for those who crave more sound shaping control. Introducing the Deluxe Big Muff Pi.

Analogue delay with up to 550ms delay time, modulation switch, true bypass

Fulltone OCD V2.0 overdrive effector Transparent tube like overdrive The country and rockabilly hits from the 50s is the classic fenders clean sound.

Electro-Harmonix Attack Decay Pedal The circa-1980 Electro-Harmonix Attack Decay is a sought after prize among vintage pedal aficionados.

Envelope follower effects loop. Like the original with added Effects Loop and Attack Response Switch. The Effects Loop lets you place an additional effect between the Q-Tron \'s preamp and filter section without changing the envelope drive.

The Big Muff with Tone Wicker taps into the sonic power of the legendary Big Muff Pi to create new tonal possibilities at the flick of a switch. Create your personal Big Muff by opening up the top end or you can bypass the tone control for a gutsy distortion that truly makes this the Wicked Wicker.

The Nano POG, smallest member of the POG clan, packs a new algorithm for superior tracking and sound.

Two distinct modes: Intelligent Harmony and Polyphonic; Footswitchable momentary function; runs on a 9 volt battery or the included EHX 9 Volt power supply

The polyphonic BASS9 Bass Machine transforms a guitar into nine different basses and requires no special pickups, MIDI or instrument modifications.

The new Flatiron Fuzz is a classic op-amp powered fuzz/distortion. With its late 70s style circuit and symmetrical hard clipping, its EHXs take on the RAT2 pedal, only we think its better. The Flatiron Fuzz is extremely versatile.

The Bass Micro Synthesizer has the same feature set as the Micro Synthesizer, but includes a trigger and filter sweep range especially tailored for bass guitar.

Electro Harmonix Oceans 12 Reverb Pedal The Oceans 11’s big brother with even more reverbs and functionality.

The Nano Deluxe Memory Man delivers EHX’s signature analog delay, chorus and vibrato plus some updates we’ve added including both Rate and Depth knobs for enhanced modulation control.

The Electro-Harmonix Deluxe Memory Boy delay pedal is a member of the Memory Man family of guitar effects. The Deluxe Memory Boy\'s quality internal circuitry delivers warm and organic analog tones while Tap Tempo allows you to always be in sync with the groove.

The Platform’s compressor/limiter enables the user to precisely tune their instrument’s dynamics and provides controls for Volume, Attack, Release and Sustain plus pushbuttons for Hard or Soft Knee and the Limiter.

The legendary design reborn in a small diecast case. Twin tuned filters deliver the real deal funk and envelope control.

Generates undulating tremolo and panning that will fill any stage or recording. Switch selectable vintage triangle or square wave. Shape control transitions from negative to positive saw tooth or adjusts the pulse width.

The Grand Canyon is EHX’s most advanced multifunction delay and looper pedal. It’s equipped with 12 effect types plus a fully featured looper capable of recording and overdubbing the Grand Canyon’s effects.

Rich, overtone laden sound that doesn’t get muddy. Responsive controls that take you from sparkling, clean boost through brown crunch and all the way to thick, saturated hi-gain. Advanced features like Tone Shift and selectable 9 or 18V internal voltage for surgical sound sculpting.

The Electro-Harmonix Neo Clone is a lush, analog chorus designed to recreate the legendary Small Clone in a pedal board-friendly package.

When we released our original Compressor back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals.

When Empress released the original Compressor back in 2011, it quickly became a favorite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals.