Boost, Overdrive, Distortion & Fuzz

Fender® The Trapper Dual Fuzz Floor Effect Pedal On your tone: floor effects for your personal sound. Fuzz is indispensable from modern music. Whether gentle and cuddly or big, this effect is pure rock \'n\' roll.

Built in the USA, the must have BE-OD overdrive pedal is desired by enthusiasts worldwide. The BE-OD overdrive pedal captures the tone of the now legendary Friedman BE-100 amplifier which has graced the stages of world class musicians the world over.

Designed as the ultimate tone shaping tool for a player’s pedalboard, the PRISM is a buffer, boost, preamp, EQ and overdrive all in one beautiful and compact stainless steel enclosure.

Million-Selling High-Gain Monster Introduced way back in 1991, the iconic MT-2 Metal Zone remains the king of high-gain distortion stomps for guitarists around the world, with over one million sold and counting.

Merging two classic Muffs from the past, the Bass Big Muff from electro-harmonix gives you the unmistakeable grit and grind conjured from both the army green Sovtek Big Muff Pi and the NYC-built Big Muff Pi.

All the way back in the ‘40s, Fender introduced the Champ amplifier, then known as the Champion 800. Otherwise known as the “Tweed Champ,” named so because of its unmistakable wrapping, Fender has created the 5F1.

Vertex Effects Boost MKII Guitar Effects Pedal with plus 16db of ultra-transparent level over unity gain. Drives your amp into saturation or gives your solos a squeaky-clean level bump. Accommodates both line- and instrument-level signals.

Since its release in 1981, the workhorse SD-1 Super Overdrive has been the core gain pedal for generations of players across every musical genre.

The Classic BOSS Distortion, Enhanced with Waza Craftsmanship introduced in 1978 among the earliest models in the BOSS compact series, the orange DS-1 redefined the sound of distortion and remains as influential today as ever.

Pedal Drive 1305

Product Description This is the overdrive pedal that they don’t want you to know about!

The Monkeyman can take you back in history. Think of Funk 49, Kid Charlemagne, Hotel California, Hurricane and many more. The icing on the cake is a built in Spring Reverb for some atmosphere. None of the old Tweeds supplied reverb so it is our little gift to you!

Specifications:1.DSP:32 bit floating point,Sampling: 44.1kHz/24bit2.Input & Output Jack：Analogy though 1/4’’ mono audio jack.3.Power Supply: DC 9V (Plug polarity is Positive on the barrel and negative in the center ).4.Working Current: 100mA.5.Dimensions: 3.74\

The BROKEN ARROW is a very flexible overdrive with 4 presets for clipping options, an innovative gain adjustment feature that we call GAIN CYCLE, and a 3 band active EQ for maximum tonal flexibility.

EQD collaborates with the American Experiential Band, SUNN O)), and the Life Pedal was released only in 2019, 2020 and has been given a spec up to the regular line. Distortion circuits are added to allow you to select a clipping diode based on distortion representing 80s.

Same silky smooth violin-like sustain and creamy tone that made the legendary 1970 Big Muff famous - This little brother proudly displays its heritage proudly. Small, pedal board friendly, die-cast case.

The NUX Steel Singer Drive pedal from the Reissue Series is an overdrive pedal with the tonal character of the famous boutique amp from California. It has very smooth high end and sweet midrange.

The Abasi pathos presents an impassioned appeal to the varied sonic needs of the modern guitarist.

Animals Pedal Rust Rod Fuzz Guitar Effects Pedal is a pedal that reconstructs the “Ram’s Head” circuit, which is renowned as a masterpiece among vintage fuzz pedals.

The enhanced version of the venerable Bass Big Muff Pi. Switchable, it\'s 0dB and 10dB input ensures the pedal is equally effective with passive and active pickups. The built in noise gate eliminates unwanted hum, while the blend control allows you to mix the dry and distorted signals to taste.

When the opportunity to work with Stu G came about (legendary guitarist, writer, producer, and founding member of UK band Delirious) we couldn’t pass it up.

The eighties heralded a new and coveted tone - The Jaguar - pioneering work by a legendary US heavy rock band and their innovative lead guitarist. The original sound was based on a British Plexi-style amplifier set for rich harmonic, saturated distortion.

In 2019 I stumbled across a pedal that didn’t exist. Yeah, cue the Twilight Zone theme song. It was a DOD Overdrive / Preamp that predated the “Gray Box” 250 pedals that everyone– myself included –had assumed were the first version ever made.

DS-1W Distortion Special edition Waza Craft pedal for the ultimate BOSS tone experience.Introduced in 1978 among the earliest models in the BOSS compact series, the orange DS-1 redefined the sound of distortion and remains as influential today as ever.